Monday, February 26, 2018

things squared


Endless drama – ain’t you sick of it?

Er… I suppose I’m supposed to say yes, but if I’m being honest…

Honest? Why on Earth would you want to be honest? When’s that ever been of use to anyone?

Ok D, I think it’s time you butted out of this conversation. I’ll have Merry back if you don’t mind.

Can’t take the drama – is that it?

One – two –

Alright – alright – I’m going – no need to be offensive and rub my nose in the…

I did ask you nicely D, but you appear to be somewhat confrontational today.

Yes, I’m practising drama.

Now why would you want to do that?

Don’t you know?

Er… humour me. Kindly assume I don’t.

Ok Edgie, let me show you a picture which is worth at least ten thousand words [tp-transmission fig. 1]

Ah yes! I see what you mean.

Yes, but they don’t, so kindly elucidate.

Oh – my apologies dear readers, scattered through space and time. Now, how best to put it? It’s a bit like breaching the boundaries of our intellectual lethargy, or our complacency. High drama can shift us into other frames of reference, into other energies, thereby assisting our 3D topographic curve’s depth-height displacement.

I think you’ve lost ‘em Edgie. What on Earth is “3D topographic curve displacement” supposed to mean? Even I have trouble understanding that, and I’ve seen the telepathic transmission.

Oh dear – it’s harder than I imagined, trying to explain what’s really simple when you see the figure at first hand.

Ok – people assume they’re in 3D reality – true?

True.

But actually, the way the mind works, the 3D reality is more or less squashed into a flat plain – thereby rendering 3D 2D.

Oh – yes.

Any data coming in which doesn’t fit neatly on the 2D schemata – type of map – is either ignored or reformatted.

Yep – that’s it.

So almost nothing gets through as long as you’re in the mean.

Mean as in average?

Correct. Mean as in homogenised, standardised, thingified.

Huh?

Thingified.

Er…

Things are only things here in 3D.

No!

Yes.

How?

Outside 3D things are open ended – they are suggestive – like stage directions – but they aren’t yet collateralised.

And how are they “collateralised” as you put it?

You.

Me?

You. They form a kind of ionic or in fact a covalent bond – sharing electrons, so to speak, with you.

Huh… with me?

Absolutely. In the same way you have an animal and vegetable side to you, you also have a thing side, your thinking thoughts – which like nothing more than to exchange electrons with surrounding objects, near or far.

To what end?

To become part of the material world, the physical reality – to better study, experience, research and feel the world of things – which, let’s face it, is not an insignificant part of the greater whole.

Ok – so it’s not all bad.

Not at all. It’s fascinating – except that you forget that you are not all you seem – that these things stop being things the minute you withdraw back into your essence, your 0=1, your non-ionic state.

And this is possible?

Of course. Everything’s possible – but as you’ve rightly guessed – it’s well nigh impossible once you’re comfortably ensconced in the world of things-matter.

Right – which is why we need drama?

Well, I find drama works for me – but there are other ways of doing the same.

Like… meditation?

Yes – you can just as easily achieve the same results by coming back into your essence through meditation.

And what then?

Then it’s a question of allowing your awareness to unfurl.

How do you mean?

It’s like a sail that’s been furled away. Until you unfurl it, you can be detached from things, but still have no clue of the all-that-is surrounding you – which is you inside out or outside in.

Huh?

Wag your tail. There is nothing in the universe or beyond which is beyond range, beyond the scope of your conscious-awareness, your field of conscious-ness.

You mean to say…?

Yes, I do. There are moments when it’s necessary to start drawing on your greater you – revitalising the link which remains inspite of your lack of awareness or failure to perceive it.

So I can just become an intergalactic entity – like that?

Not exactly. Remember the spy novel’s “need to know” information sharing protocol – well the same is true here.

Need to use?

Yes – you have access on a need to use basis, as well as a safe to use restriction. You’re not generally able to tap into energies or awarenesses which would endanger you or the world around you – so a certain amount of getting things straight, putting the house in order, is required if you are to proceed.

Because I might be a danger to myself or others?

Absolutely. It’s like a super-charged racing car. Unless you have the necessary degree of self-restraint you would just crash it in minutes, in your excitement, or desire to show off.

Oh. Yes, I suppose I might.

So the system itself is aware of you and your aptitude or readiness to handle higher energies, higher awarenesses, and restricts them unless/ until you’re ready.

Do I need to pass some kind of test?

In a manner of speaking, yes, but nothing formal as such. Obviously, to get yourself ready for the cosmic or quantum side of things is going to require some training exercises beyond 3D – which is why we need either meditation or drama, to build your awareness. That’s a bit like a baby kicking its legs in the air for weeks and months before it can actually crawl or walk, gooling and gaaing before it can talk. It’s a way of giving your higher consciousness as well as the Universe itself the message that you are ready for the next stage of the proceedings.

And you think the Universe actually listens?

Without a doubt. What else has it got to do? Without you the entire universe amounts to nought.

No!

Yes. So start to practice now – start experimenting – to feel how there are field lines or wheels reaching out beyond what you can imagine possible – that you are in fact a hub connecting every which all.The minute you stop insisting on 3D exclusivity – the game, the song, the dance of All that is – starts to reveal itself – starts to reveal the fallacy of things, the covalence of matter – deep within you, in your very thoughts.

Oh God – why me?

Here – catch this.

What the he.. a fish? Where the he.. did that come from.

Language Edgie. In fact, you know perfectly well where it came from, but I wonder what happens to the fish if you activate your conscious-awareness and observe its covalent bonds?

Oh… ok.                =-*^()(%%&^    a line of code!

Weird, isn’t it?

You’re telling me. So what about this line of code   !”$£^$@:{}kjew45

Very amusing! Tarzan swinging through the jungle, shouting his lungs out.

You mean to say we can turn anything back into code?

I don’t mean anything – let me be clear – but if you think I’m going to work at a snail’s pace copy-pasting code in the box, you’re mistaken.

How then?

Dance, play – in short, drama. It’s like html. It gets written automatically. By far the best way to up the ante and reach the critical, boundary bending speed of thought…



0==1

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