Endless
drama – ain’t you sick of it?
Er… I
suppose I’m supposed to say yes, but if I’m being honest…
Honest? Why
on Earth would you want to be honest? When’s that ever been of use to anyone?
Ok D, I
think it’s time you butted out of this conversation. I’ll have Merry back if
you don’t mind.
Can’t take
the drama – is that it?
One – two –
Alright –
alright – I’m going – no need to be offensive and rub my nose in the…
I did ask
you nicely D, but you appear to be somewhat confrontational today.
Yes, I’m
practising drama.
Now why
would you want to do that?
Don’t you
know?
Er… humour
me. Kindly assume I don’t.
Ok Edgie,
let me show you a picture which is worth at least ten thousand words [tp-transmission fig. 1]
Ah yes! I
see what you mean.
Yes, but
they don’t, so kindly elucidate.
Oh – my apologies
dear readers, scattered through space and time. Now, how best to put it? It’s a
bit like breaching the boundaries of our intellectual lethargy, or our
complacency. High drama can shift us into other frames of reference, into other
energies, thereby assisting our 3D topographic curve’s depth-height
displacement.
I think you’ve
lost ‘em Edgie. What on Earth is “3D topographic curve displacement” supposed
to mean? Even I have trouble understanding that, and I’ve seen the telepathic
transmission.
Oh dear – it’s
harder than I imagined, trying to explain what’s really simple when you see the
figure at first hand.
Ok – people assume
they’re in 3D reality – true?
True.
But
actually, the way the mind works, the 3D reality is more or less squashed into
a flat plain – thereby rendering 3D 2D.
Oh – yes.
Any data
coming in which doesn’t fit neatly on the 2D schemata – type of map – is either
ignored or reformatted.
Yep – that’s
it.
So almost
nothing gets through as long as you’re in the mean.
Mean as in
average?
Correct.
Mean as in homogenised, standardised, thingified.
Huh?
Thingified.
Er…
Things are
only things here in 3D.
No!
Yes.
How?
Outside 3D
things are open ended – they are suggestive – like stage directions – but they
aren’t yet collateralised.
And how are
they “collateralised” as you put it?
You.
Me?
You. They
form a kind of ionic or in fact a covalent bond – sharing electrons, so to
speak, with you.
Huh… with
me?
Absolutely.
In the same way you have an animal and vegetable side to you, you also have a
thing side, your thinking thoughts – which like nothing more than to exchange
electrons with surrounding objects, near or far.
To what end?
To become
part of the material world, the physical reality – to better study, experience,
research and feel the world of things – which, let’s face it, is not an
insignificant part of the greater whole.
Ok – so it’s
not all bad.
Not at all.
It’s fascinating – except that you forget that you are not all you seem – that these
things stop being things the minute you withdraw back into your essence, your
0=1, your non-ionic state.
And this is
possible?
Of course.
Everything’s possible – but as you’ve rightly guessed – it’s well nigh
impossible once you’re comfortably ensconced in the world of things-matter.
Right –
which is why we need drama?
Well, I find
drama works for me – but there are other ways of doing the same.
Like…
meditation?
Yes – you can
just as easily achieve the same results by coming back into your essence through
meditation.
And what
then?
Then it’s a
question of allowing your awareness to unfurl.
How do you
mean?
It’s like a
sail that’s been furled away. Until you unfurl it, you can be detached from
things, but still have no clue of the all-that-is surrounding you – which is
you inside out or outside in.
Huh?
Wag your tail.
There is nothing in the universe or beyond which is beyond range, beyond the
scope of your conscious-awareness, your field of conscious-ness.
You mean to
say…?
Yes, I do.
There are moments when it’s necessary to start drawing on your greater you –
revitalising the link which remains inspite of your lack of awareness or
failure to perceive it.
So I can
just become an intergalactic entity – like that?
Not exactly.
Remember the spy novel’s “need to know” information sharing protocol – well the
same is true here.
Need to use?
Yes – you have
access on a need to use basis, as well as a safe to use restriction. You’re not
generally able to tap into energies or awarenesses which would endanger you or
the world around you – so a certain amount of getting things straight, putting
the house in order, is required if you are to proceed.
Because I
might be a danger to myself or others?
Absolutely.
It’s like a super-charged racing car. Unless you have the necessary degree of
self-restraint you would just crash it in minutes, in your excitement, or
desire to show off.
Oh. Yes, I
suppose I might.
So the
system itself is aware of you and your aptitude or readiness to handle higher
energies, higher awarenesses, and restricts them unless/ until you’re ready.
Do I need to
pass some kind of test?
In a manner
of speaking, yes, but nothing formal as such. Obviously, to get yourself ready
for the cosmic or quantum side of things is going to require some training
exercises beyond 3D – which is why we need either meditation or drama, to build
your awareness. That’s a bit like a baby kicking its legs in the air for weeks
and months before it can actually crawl or walk, gooling and gaaing before it
can talk. It’s a way of giving your higher consciousness as well as the
Universe itself the message that you are ready for the next stage of the
proceedings.
And you
think the Universe actually listens?
Without a
doubt. What else has it got to do? Without you the entire universe amounts to
nought.
No!
Yes. So
start to practice now – start experimenting – to feel how there are field lines
or wheels reaching out beyond what you can imagine possible – that you are in
fact a hub connecting every which all.The minute you stop insisting on 3D
exclusivity – the game, the song, the dance of All that is – starts to reveal
itself – starts to reveal the fallacy of things, the covalence of matter – deep
within you, in your very thoughts.
Oh God – why
me?
Here – catch
this.
What the
he.. a fish? Where the he.. did that come from.
Language
Edgie. In fact, you know perfectly well where it came from, but I wonder what
happens to the fish if you activate your conscious-awareness and observe its
covalent bonds?
Oh… ok. =-*^()(%%&^ a line of code!
Weird, isn’t
it?
You’re
telling me. So what about this line of code
!”$£^$@:{}kjew45
Very
amusing! Tarzan swinging through the jungle, shouting his lungs out.
You mean to
say we can turn anything back into code?
I don’t mean
anything – let me be clear – but if you think I’m going to work at a snail’s
pace copy-pasting code in the box, you’re mistaken.
How then?
Dance, play –
in short, drama. It’s like html. It gets written automatically. By far the best
way to up the ante and reach the critical, boundary bending speed of thought…
0==1
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