A crackling fire and the smell of – not incense – dried leaves that have
been cast into the flames... more than a smell – it reaches into the mists of
time, it reaches into the depths of consciousness and recalls me, bit by bit,
strand by strand, back to body, into mind...
“Who am I?” I ask no one in particular.
I hear some light, merry chuckling nearby. There’s nothing unnatural
about this laughter – it’s as if I’ve always known it, always taken it for
granted, as if it’s as much a part of me as my body is – which is why I’ve
never really noticed it before...
The smell of burning leaves continues to weave itself through my mind, or
what would be my mind were it not full of emptiness at this moment... and
perceptibly the smell changes as different leaves are added, touching a
different branch of my conscious-awareness, stroking, massaging me back to
self, back to me.
A woman’s voice singing. I hear it not with indifference but again, with
knowing that this voice is as much a part of me as anything else might be, and
so not the least urge there is to question it – just to accept and enjoy its
healing sounds. And at this moment it’s the voice of an old woman, rasping,
hoarse, chalk and pumice stone, and the sun comes from behind a cloud in my
mind, and the wind blows across the wide open steppe, a squall and we retreat
to the yurt to shelter from the elements, drinking warm kumis, fermented mare’s
milk, then back into the great open, riding our small powerful horses to the
summer pasture in the highlands...
Her voice changes – now it’s a young woman – sweet, plaintive, seductive...
and the visions shift to another branch of the winding stream... a young girl
walking in the forest, looking for her brother, soldiers nearby, houses set on
fire, screams and then silence as the hammer falls; a lover’s hand reaching
into the darkness, caressing her brow, wiping away tears, dancing in the firelight,
dancing to the sound of drum and flute and mandolin... sounds and sensations
filling the night with emotions, filling the night with longings and yearnings,
the fragrant jasmine, an onion dome in the moonlight, a minaret, snatches of
visions and shards, fragments of the shattered vase.
Still she sings, now the voice of a young girl, bubbling like the
mountain stream, telling of fairies, of angels, of woodland elves and pixies,
magic lands behind the mountain’s facade, another land within the lake, another
in the sky when the sun shines on the clouds that mass around Mount Abora,
dancing nymphs, tree spirits, all of nature alive with the elements of fire,
water, earth and air, the stars in the firmament dancing in tune to the song of
life itself – the same song that brings me into this world, that still can be
heard when I tune my ear and feel my deepest nature... and insects, and wild
beasts prowling in the shadows, closing for the kill, the trees and plants with
their spiralling ways into other realms, into lands where they, like the
stones, are fleet of foot or flyte of wing, the wonder of the child’s delight
at seeing and sensing the least that is most, the magic in a grain of sand, in
a breath, in the bead of dew on a blade of grass in the early morning light – a
rainbow fairy light suspended in green the grassy night, and endless dreams
that weave their way throughout, that teach me how to see and feel the allness
unfolding within appearing without.
“Dorothy” – I hear myself say, calling her by name, or one of the names
she goes by, “tell me how I come to be here with you this day... tell me who I
happen to be on this occasion.”
More faery laughter, both fragile as frosted glass yet powerful too, with
sinews of oak and hide of wilderbeast... “and where would you happen to be my
young friend?” she answers with a question of her own, and strange to tell, I
notice where the mind would normally be, where now there is only lightness and fragrance,
rustling leaves and clouds scudding across the sky overhead, a stream of
images, shapes and forms tell me everything I would know, instead of mind the
inner vision – a seeing and a knowing without the need to think and process “what”
or “not”...
“Ah!” I hear myself exclaim, part delight, part surprise – the
astonishing tale of how I happen to be here at this moment with Dorothy,
whether faery queen, child, or hag, mistress of the quantum stream, keeper of
the keys of consciousness, sweeper, maid of honour, housekeeper and cook
extraordinaire, she has always been there with us in Story holding the other
side of the dialogue, making it seem Real which is not.
And effortlessly everything falls into place – Story reconnects and
immediately, without pain or fear I know exactly who I am and why I’m here... I
see the entire thread from beginning to end, and how these threads can be
connected to and exchanged for others, now that I’m no longer bound by fear,
now that I’ve come home to Faery. Like changing an outfit, I may pick and
choose – and there are threads that bring me anywhere I may desire to be for
they span the entirety of creation like a great spider’s web with criss-crossing
strands. I may choose my entry point and dive into Story, whichever version,
and spin it with delight, with abandonment, spin it for all I’m worth, now that
I’m unfettered by fear – for truly nothing is created or destroyed, each
version of story attains its rightful end in the allotted time. As I write one
strand of story code, all the others adjust in accordingly. As long as I
am guided by beauty, inspired to create whatever is alive, the whole of
creation shines and vibrates with the song of all being well. Only when I get
bogged down in fact of the matter, in fearing the worst, in routine and what
matters as opposed to what is, does the story sag and the entire web sinks down
into the darkness of nothingness. As I gaze into the web, deeper into the
threads I can see every greater detail – the beings down there in story
battling for survival against all odds, desperately hanging on, trying to save
the day, convinced that their life depends upon it, little suspecting that they
and I are One, little suspecting that we are all co-creating the magical isness
of Be – the faery tale. Caught in the action, the characters I be all assume that
it’s for real, that they’re alone, and unconnected to everyone else.
I pick up the web, with Dorothy’s blessing, and carry it over to a nice shady
spot by the stream. Something tells me that here it will be easier for us to
rebuild our world, reconnect with our dreams, and I watch as the web adjusts to
its new spot making itself fast to the branches and stems I hold it near. Where
there is pain – I feel it emanating like a knife from parts of the web, there I
fly down with a legion of faery folk... down... down till we find ourselves
among the action of a world on fire, a battlefield. We do not enter the fray as
humans – what would be the point – we cannot pretend it is more real than it is
– but as magic spirits we set about emergency repairs, helping the beleaguered souls
to feel a something else, a something more, that their eyes and numbed minds
cannot reveal to them, helping them to sense that the tale they are in can
change with a change of heart, no matter how dark or desperate things may seem.
The whole tale can spread its wings and fly back into the magic of Faery.
“Gnomiki, gnomiki” I call, as we leave the battlefield behind. “Let us
open a window, let us share a vision with the people of this world...” and what
do we see unfold? There was a place of such darkness, of such fear and doubt that
no one could leave it who had entered therein. It was like a dark star, a black
hole, and throughout the ages souls had been lost into it. It was even visible
here in Faery, even as Dorothy walks among the trees and flowers, along the
stream, she senses the darkness and wonders what will happen – for there is no
way it can be stopped.
“No way?” you hear yourself say to her: “I know a way. I shall descend
into Story but a new kind of story – one that is completely cut off from Faery,
one that is completely wrapped up in its own logic, that sees only things as
real if they are things, if they can be measured empirically, that rejects the
very isness of be, the Conscious Mind that we take for granted...”
But why would you do that Daniel? What can you hope to achieve?
“Don’t you see Dorothy? In isolation from all that is it will be possible
for us to tunnel down to the dark heart of matter, for there what matters will seem
to be real. We will experience things that you can’t even imagine here in Faery:
pain, death, horrors, but also love and joy too. Endless bitter sweet, and
eventually we will arrive at the bottom, a place so far removed from Faery that
none accept or believe in it. That is the place where our friends
are trapped, are ensnared. That is the place that can only be reached by
heading into the Seem of is.”
But how will you manage this? No one can do this?
“We will be none the wiser. We will agree to enter a closed loop of Story
– me and any other volunteers who choose, and this closed loop can only be
entered if we agree to I-mind/what matters protocols. Little by little,
generation by generation we will be more and more bound up in matter and a mind
that makes it more and more real by identifying with all that seems and nothing
else.”
But how will it end? How will you escape?
“There would be no escape if it were truly real. It would lead forever
into nothingness, but that is not possible, as you know. Nothing cannot be
reached or attained unless it is something – end of story, and so we need a
something that is the equal and opposite of the shadow you have seen and felt
here in Faery. This is easy enough to create, using the limitless power of
Story. And thus, we set Story to meet the shadow by creating a tale that reverse
engineers itself into nothing, but which in fact ends at the precise moment
when it enters the shadow as 0=1. We will do this with time, for the closed
loop being an artificial construct will need the spin of time to hold it
together.”
And Story can do this? It can tunnel down to the shadow and bring it back
into the narrative, bring it back to the light.
“You know it can Dorothy. Caught in the closed loop, we will find
ourselves sinking ever deeper into a world of darkness and shadow, with no idea
why or how this is happening. We will assume it’s our fault: that we are doing
something wrong, that we are evil or sinful, when in fact, we are being taken
there by Story, which like spaceship is delivering us into the otherwise
inaccessible shadow.”
And what makes it accessible if you say it’s inaccessible?
“Because we’ll be unconscious of it – and being unconscious means we’ll be
able to penetrate shadow’s defences. Only when we’re completely within will our
pre-programmed story unravel as time will run out of spin, delivering us like
an injection directly into shadow as 0=1, and there you have your alpha omega
moment – Story will ensure that the two fuse for otherwise you would have a
less than 0 or a more than 1. All things being equal, the shadow will guide us
right to its very source in the same way we shall guide it in reverse back to its source...”
You mean back to Creation.
“Exactly... back to 0=1.”
And what will happen to all those beings in the terrible closed story
loop?
“Well, apart from being in Hell – a hell they volunteer to join, they’ll
experience that which otherwise could not be experienced by the Universal
Mind...”
Which is?
“They’ll experience separation from you and from all this. They’ll
experience a state of being that is, in fact, wholly without foundation, and yet
which seems completely real.”
The seem of is... so that’s how
it is done. I heard tell of it once, many years ago. And there is no other way
for us to combat the shadow and return the lost souls?
“No Dorothy – only Story can take us into that which is not...”
But will it not hurt these beings, these volunteers?
“Of course it will, but they will always know at their zero point – in their
heart, that it is not what it seems, that they are not, in fact, victims of
some terrible conspiracy, that their closed loop reality is in fact a powerful
engine that they can harness directly, and knowing this changes everything.”
How so?
“Knowing their world is unreal deep in their heart, this will enable them to
open another branch of Story – those who will – for Story cannot be limited,
and thus they too will be able to create worlds within their world, narratives
within their narrative, and doing so, will be able to transform, transmute the
shadow, the darkness they are heading into, and this will be the sweetest
sensation, the greatest joy, their true delight.”
You mean it won’t have to be suffering and pain?
“No, it will depend on their choice. The I-mind/what matters protocols
will ensure it is hell, and necessarily so, unless they are able and willing to
connect with the deeper truth – the Isness of be – and doing so, they’ll
discover the power of Story waiting within. Even as their spaceship humanity
hurtles into the blackhole, the abyss of what not, they’ll discover the wings
of Faery that can lift them into another dimension, that will enable them to
use the shadow as the very source, the very fuel for their creativity. And thus
they will rebirth themselves and rebirth Faery from the darkness of complete
ignorance and fear, into the light of knowingness and Be.”
And you think they can do this Metatron?
“Of course they can – for thus it is – whatever can be conceived is
guaranteed to become real somewhere, somehow in Story.”
From Metatron back to Daniel, then back to Josh... talking with Dorothy, here
beside the quantum stream, watching its million threads winding and twisting,
entangling yet never truly so. The shattered vase of my mind is all but reformed
as story’s thread once again comes together...
“How will I spin gold from the straw of things that do not yet seem to
fit together or make sense – a patchwork quilt of semi-digested happenings?” I
think aloud...
“The question contains the answer...” – I continue, and Dorothy smiles at
me with liquid love, warm sunlight filling my heart, my mind, me.
I will take you back into the world I have left behind, dearest Dorothea.
Dot dot dot, I will be your champion, your knight in arms, and I will weave a
story, the story that I have dreamt of weaving – the only possible story that
can recombine, reconnect, make sense of all the broken threads, the pain, the
dislocation, the darkness we have experienced. I shall spin it with my doings,
thinkings and sayings, with the breath I breathe, and conscious-awareness. I shall
weave that thread into a garment, the bridal gown that I shall present you with
when all is said and done, when tale is told and Story complete – and you will
become the maid Nerys, and my beloved wife.
Suddenly Dorothy looks bashful and shy. She shifts into her role with
perfect ease and grace. “Go then,” she says, “back to the world. Rejoin the
narrative. I will head back into formlessness of the void, and if you succeed
in your quest I shall emerge as Nerys, your very own wife – with a soul in
perfect harmony with yours. Thus we shall complete the circle and weave a
golden web of sense and meaning from the soul defying emptiness of what is
not.”
“Your name – Josh – I feel your name has changed, so let it now be Josh the
Jubilant to mark your reawakening. Go forth merrily, in joy, and seek my love
in anything and everything you may encounter along the way – for that is the
only place you will find it, the only way you will be able to complete your
quest; feel my presence and spin the Story thread that reunites us with all
that is. This world is yours – use it wisely and enjoy its many marvels and
wonders, for only by taking the path of joy will you discover that Nerys is seated
here beside you, gazing deeply, lovingly into your eyes.”
The next thing he knows, Josh the Jubilant is watching a trolleybus on
the garden ring where Georgiy Menshikov is deep in thought as 1,300 years pass by
– precisely the time required to connect Josh with the precise version of
reality he has newly chosen for himself, in which he is destined to find love
anywhere and everywhere in a world full of wonders and marvels, in which dot3 the
feminine disconnect of quantum indeterminacy works the miracle of Story, extracting
life and love from the vacuum, giving Josh, and every one of us, exactly what
we need, when we need it – for how else could Story be told and sense be made
of all that is I am?